Memories Of Colour

There are a series of colourful prompts to choose from this week over at Search Engine Stories.

They are – yellow as joy, forest green glass, wild purple, cold white ice, cobalt blue sky and sex red female.

The option is to use as many of them as you want in your story.

I decided to use them all.

Here is my story…

When I found him, my little Charlie, lying all still like that I felt the way I felt when I was a kid fishing with my Granddad and we got entangled in the rushes and had to wade to shore. My clothes filled with water so quickly I was sure I was going to slip under the water, every step took an enormous effort.

I knew Charlie was dead straight away. A three month old baby doesn’t just not move. There’s always something – a little whimper, that way they suck on their little fists, legs kicking out in dreams. I couldn’t get to him fast enough but I was wading, wading, wading because I also didn’t want to get there, because I knew.

He was cold. All that warm chubbiness was cold. It was the only time I saw him without drool on his chin and oh, how I wanted to see that drool. His chest was unmoving – there was no blissful exhalation, no fluttering of the eyelids. He was gone. My beautiful baby boy.

‘Claire,’ I called out, croaking like someone who has seen all the horrors of the world at once. Then when she didn’t come fast enough, shouting, mad, disbelieving : CLAIRE!

When she rushed into the room I couldn’t talk. I pointed at Charlie lying in his cot. My wife, my greatest love, picked up her dead baby and screamed. I thought the end of the world had come. In some ways it had.

Sudden Infant Death Syndrome. They used to call it cot death. Charlie hadn’t been ill. He had been jolly and fat with little red cherub cheeks. He was starting to smile. He liked the rubber duckie I put in his bath and his Bob the Builder nightlight.

‘We don’t know why it happens,’ the doctor said. He rambled on for ages about not having a lot of toys in the cot, no loose blankets, babies sleeping on their backs. We had done all the right things and still, our little Charlie was gone.

People came for weeks afterwards, bringing food, making cups of tea. Talking endlessly in an attempt to fill up the incoherent silence, looking away from the ragged, gaping, stare that was my wife’s face.

For six weeks Claire didn’t speak. She got so thin I felt a gust of wind would smash her bones to kindling. And then she spoke. One day. Carefully as if her mouth was full of blood.

‘It’s your fault, Ade,’ she said. ‘You and your stupid stories. If you didn’t spend so much time writing all your crap you could have watched over Charlie a bit more. Like a proper father.’

I had been waiting for the blame. It’s just the way of things, isn’t it? When the world comes tumbling down we have to find someone whose fault it is, so we can hate them more than we hate ourselves.

Claire was partly right. I had been up all night finishing off a chapter in my book my editor needed by morning. I was so spent after it I slept through the 4AM feed. Claire had to get up and do it. She was so spent after that she didn’t get up for the 8AM feed and I slept straight through. That was one of my stupid stories that will never now be written.

It has been two years and still Claire walks through the house like a wraith. If I cleared my throat or stamped my feet, she would not acknowledge me. It is like we have never met.

‘What can I do?’ I ask every night. ‘What can I do to bring you back?’

‘There is nothing,’ she replies. ‘The world is grey, colourless as dreaming.’

I have joined a writer’s group, trying to catch the words clawing at my throat. The writers are bursting with enthusiasm, full of inspirational thoughts.

One day in a panic that I would never see a single moment of hope again I told them about Claire. They offered a solution I could not resist, a way through that immediately found the words fighting for prominence. They gave me the colours I needed to set Claire free.

Forest green glass, they cried.

I could think of nothing, sitting at my desk, gouging the empty page with a pen sharp as a scalpel. And then I saw it.

The glass tumbler I keep my pencils in, green as the conifers at the gate. Do you remember when we bought that set of tumblers? I wrote. Forest green, you called them. We put them on the windowsill to admire the way they thrust green light across the floor. We danced amid that light like strange woodland creatures. But one by one the glasses cracked and split, crumbling into powder fine as iron filings and in desperation I plundered the last one, keeping it on my desk for good. For green light is better than clear light, like sitting beneath a tree and sighing.

Keep going, said the writers. Don’t stop there.

‘Yellow as joy, wild purple,’ they cried.

This one was easy. ‘Do you remember on our wedding  day when your Aunt Madga turned up in the purple silk dress with the yellow sash? I wrote. Wild purple, she called it. Wild as the purple flowers growing in the hedgerows. And the sash was as yellow as joy.’ Yellow as joy, my arse,’ said your mother. ‘You look like a fucking drag queen.’

The writers weren’t done with me yet.

Cold white ice, they shouted.

Do you remember when you had a fever? I wrote. And you lay helpless in bed with a plastic bucket at your side. You saw angels and devils standing at the edge of your bed. There was nothing you could eat or drink except cold white ice. You rolled it around your tongue like a slice of exotic fruit, testing it out. It agreed with you. You ate a cupful of that ice and the fear went out of your eyes.

More, more, said the writers. Cobalt blue sky.

Once we went on holiday down the south coast, I wrote. And there was that fishing village where all the houses had front doors the same colour as the cobalt blue sky. The sky was so blue and wide and clear it was no wonder people were inspired to try and claim it as their own, to reproduce its brilliance on something they could touch. The effect was surreal yet surprisingly cohesive. It was as if Magritte himself had walked through the village with his paintbrushes, saying :’ These doors and the sky are one.’

One more, the writers egged me on. You can do it.

Sex red female, they said. It was the hardest one of all.

Claire and I have not touched each other since we lost Charlie. It is like constantly picking the scab off a wound and watching it bleed anew all over your hand. I bought her a night dress, French lace, soft red. She crumpled it into a ball and thrust it under the bed.

When I bought you the red night dress, I wrote, I was not pressuring you for sex, I was hoping we could hold each other and say maybe once that things might be alright.

I cannot write anymore. There is nothing left. I print out each vignette and leave it on the couch in the study that serves as Claire’s bed. I call it  Memories Of Colour.

I sit in the living room. The television is off. I gaze at the blank screen. I can see my hand, my shoulder reflected. I am a negative of myself. It must be the way Claire sees the world. I hear her come home, go into the study. I hear nothing from her for over an hour.

The kettle boils, the whistle pierces the gloom. Claire walks into the room with cups on a tray. She has made sandwiches, thick slabs of cheese and tomato. The tea is hot and sweet. I have never tasted tea this good in my life. It is the first time I have drunk tea with my wife in two years. Claire eats a sandwich. She looks like she is enjoying it.

When she finishes she stands up and I can see even in the dim light that she is wearing the red night dress. All at once I can feel the possibility of loneliness slipping away. She stands before me, places her arms around my waist and we hold each other, swaying in a kind of spellbound dance, long into the night.




20 thoughts on “Memories Of Colour

  1. Amazing piece Selma. And an incredibly exquisite take on the prompts. So moving, and replete with incredible imagery. My favorite is:

    “The television is off. I gaze at the blank screen. I can see my hand, my shoulder reflected. I am a negative of myself.”

    How I do wish I had written that. Great read – thanks!!


  2. sweet ending, I like the colors that serve as memories, reminders of the past, At first I thought it was set in some early time, lovely tale


  3. Yes, that is one powerful piece of writing. And yet, terrible as it has to be, the loss of one’s child, something, in it’s own perverted fashion and just as much a loss, was lost when the first accusation was hurled. . . “It’s your fault!”
    The circumstances were nowhere as tragic but here it is: sixty three years and some seven months later, I remember the words. . . “It’s your fault that . . . ?” Had I not been faced with that accusation, . . . ?


  4. I wasn’t ready for such a powerful piece. This stirs up a lot of emotion. Very well done Selma. This is exactly what I love a story to do to me.


  5. MELEAH – I know. It is a bit of a tearjerker. I was thinking of my friend, Bron, who lost a baby to SIDS and the story just came to me. I cannot imagine how anyone can cope with that. I thank God my son is healthy and still with us.

    KAYT – aww, thanks, hon. It was hard to weave all of those prompts in, but for once, I actually don’t mind this piece. Usually I’m all – ‘Oh, it is so bad’ and I pick it to pieces. But this time I am almost happy.

    LISSA – thank you so much. When you think about it, our memories are filled with colours. I wouldn’t mind writing a separate piece just about that.

    MARY – I have been on the receiving end of that too and it still burns. Years later. To be blamed for something, especially when one is blameless, is hard to get over. I know exactly what you mean.

    PUNATIK – me either. It just hit me like a ton of bricks. Where do these things come from? I need to lighten up, I think. Next story will be a light-hearted, comic tale. I promise….

    GROOVY – sorry about that, my dear. XXX


  6. Hi Selma,
    I have only one word, Wonderful.
    The Red Night Dress; A gift of love and shared grief ultimately expressed through the power of a hug.
    Wonderful (whoops! thats one word twice 🙂


  7. With the first sentence, my heart started aching. You have painted loss and grief so perfectly, then you show the path back to better times and healing.

    Very well done, M’dear, very well done.


  8. CHRIS – awww, thank you. I really appreciate your visits and your encouraging comments. I am so glad you liked my story!

    KAREN – I have never experienced the loss of a baby to SIDS (thanks to all the gods) but I have seen people who have. It is incredibly hard to watch. When my friend, Bron lost her baby I thought she would never find her way back, but she did. I admired then, and still admire, her ability to move forward. It is inspiring.


  9. The description of the dead baby is so frightening, as a mother I have played that scene over in my head a thousand times in so many scenarios- so honest. Of course a tragic story. It is terrible how when such devastation comes it often becomes easier to lash out at the very people we most need. Human behaviour is so flawed.
    Very nice writing, Selma


  10. It is very rare that a fictional story brings me to tears but this one sure did. Along with big gulping sobs, the embarrassing kind. What a tragic yet beautiful story. Don’t worry Selma, I needed that cry and feel so much better now that’s out 🙂


  11. Its even things like referring to a reflection in a tv as a “negative”. Honestly, how creative is that. Your stories are so powerful because they weave together the seemingly small details like “thick slabs of cheese and tomato” or “plundering” a green glass tumbler, with an undercurrent of deep and far reaching emotion – with which all of us can identify in one way or another. Beautifully written as usual.


  12. This was very hard to read… it was my greatest fear with all my babies. I can’t imagine what those parents go through.. I don’t think words can describe what I see in their eyes at the funeral – they just shouldn’t make coffins that small. 😦

    This was a gut wrencher – which of course, means two thumbs up! 🙂


  13. “You know what I find interesting? If you lose a spouse, you’re called a widow, or a widower. If you’re a child and you lose your parents, then you’re an orphan. But what’s the word to describe a parent who loses a child? I guess that’s just too fuck ing awful to even have a name”
    Brenda Chenowith (Six Feet Under)”

    Thanks Selma, David


  14. LAURI- I think all of us have played out that scenario, that’s why it is so devastating to think of it. Sadly, we do lash out at those closest to us during moments of turmoil, don’t we? I’ve done it myself.

    GYPSY – I am sorry I made you cry, hon, but on the other hand, I am honoured one of my humble little stories could move you like that. Thank you so much.

    PAISLEY – innocence of vision, I really like that. I REALLY like that! Thanks, hon.

    GERALDINE – I really appreciate that. Thank you, G!

    EPIPHANY – I have to be honest and say that a few years back when I did a creative writing course, my teacher taught me that. She said I was good at observing ordinary details and that I should consider including those details in my stories for a more powerful effect. She was a brilliant teacher!

    TEXASBLU – I have been to two funerals where small children had died. I still can’t articulate how it felt. Unfathomable.

    DAVID – perfect, perfect quote. So true.


  15. This was absolutely brillant Selma. The heartbreak in the aftermath of losing a child is almost more than one can bare, and definitely more than one can express in words – until now.


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