Selma In The City

Writer. Teacher, Misfit. Sydney, Australia

  • When I visited Karen’s blog A Novel Place the other day she was talking about the sounds of joy and the idea of freedom we  recognise as children and it made me think of our tendency as children to believe in the power of joy and freedom as  forces for change, as a raison d’etre. Karen posed the question about being young enough to still believe in both and I wondered if feeling the potency of the idea of joy and freedom is a state of mind only attributable to the young because as an adult so many other things get in the way.

    We all still feel moments of joy as adults, right? There are often too many to count or remember. We see them then forget  them hundreds of times in one day, but what we often don’t realise is that we are accruing those moments of joy and that they give our lives purpose and meaning, keeping us going.

    The lights on the bridge at night give me joy. I can sit and watch as if I am in an art gallery, looking at the work of artists who reveal brilliance in their paintings, who understand the transformative power of light. Our ability to capture light, not just through the medium of art but through our own modes of seeing, is often elusive. Sometimes we don’t notice instances of light in our lives because there is so much else going on, a glut of distractions blocking the light, blocking the joy.

    When I was a child  I experienced many moments of joy. I remember my Mum making lemon curd in the kitchen  in an enormous pot that was too heavy for me to lift. The smell of butter, eggs, sugar and lemon juice filled the house. It was fascinating to see the ingredients turn into a silky smooth custard that transformed the sourness of the lemon juice into something delectable. My Mum used to make little muslin toppers to put over the lids of the jam jars she put the lemon curd in and hand them out to people she knew at our school or in our street. They were much coveted and those who received them held them in two hands, carefully as they would a trophy, taking small, attentive steps home.

     

    My sisters and I also coveted the lemon curd. It had to be refrigerated, so it was kept on the top shelf of the fridge, shining there like the Holy Grail. We found an old milk crate down in the basement and used it to reach the citrusy delight, eating so many spoonfuls of it at night after everyone had gone to bed that remnants of tartness stuck in our throats till morning.  I’m sure our Mum knew of our secret indulgence, but she never said anything.

    Around the time the lemons began to grow I used to see little white butterflies flitting around the garden, their wings the same colour as the muslin jar toppers. I thought of the colour when I was a child as an old-fashioned white because it had a vintage creaminess to it that you saw sometimes in photos of wedding dresses from the turn of the century. The simultaneity of the colour of the butterfly wings and the muslin jar toppers brought me joy as a child. When I think of lemons or white butterflies now I still feel joy.

    I didn’t know what freedom really meant as a child. I referenced it as pertaining to days off school, holidays at the beach, eating take-aways in front of the television or reading in bed until noon on weekends. I did not question whether or not I was free because I had no impositions placed upon my freedom that were concrete enough to be problematic. Even curfews weren’t seen as being particularly restrictive.

    As adults I think we’re much more aware of what freedom means. Having a job, an education, a career leads to an economic freedom of sorts – we can pay our bills, buy things, make progress. But I think we very quickly learn that the way we define freedom is very closely linked to purpose and significance.. Freedom isn’t just about the ability to do what you want whenever you want, it’s more about self-determination and autonomy. Feeling like you are in control of your own life.

    In 2026 we are having our freedom continuously whittled away. It is becoming harder to exercise personal agency for many reasons, some economic, many political.  The policies of our governments often don’t seem to be aligned with our values and interests, affecting our intrinsic motivation and our well-being. I think that freedom more than any other state of being drives people towards their aspirations and higher goals. When we feel the rug of freedom being pulled out from under our feet it can be hard to avoid a negative view of the world.

    So yes, maybe it is not possible to hear the sounds of joy and freedom, to feel moments of joy and freedom in the same way we did as children because now we know what the world is really like. That just means we have to fight harder. Freedom and joy are intrinsically linked. Still present even if the halcyon days of our youth are long gone.

    Contemplating joy and freedom makes me think of hindrance and restraint. People are protesting and rioting in many parts of the world right now. Our societies are increasingly disaffected and dispirited. I hear many people saying “Where is this all going to end?” It’s an unsettling time to  be alive.

    I think of Albert Camus at  moments like this. He always offers me comfort with his wise observations of life and the human condition. He said:

    In the depth of winter, I finally learned that within me there lay an invincible summer.

    Our freedoms are being challenged like never before, but that alone cannot completely destroy our sense of joy, the sights and sounds of it – the lemon curd, the butterflies, the lights on the bridge. We must remember the old days, the things that meant something. We must cling to what we need to, in order to forge forward, holding our heads high as we  walk into the length and breadth of that unforgotten, invincible summer.

     

     

  • It’s important to have a part of your day that is a ritual. When you write all day it is very easy to spend your time sitting, typing, drinking coffee, researching, reading and so on. It’s great for getting the work done but not so great for your body, or for your mind, for that matter.

    After days of working like that I find I have covered a lot of ground writing-wise but that I am very tired in an I’ve overdone it way. My mind is also dull, slower, and I find I don’t write with as much of a flow. I have set a deadline in my head (which is partly based on dwindling finances) but is also the result of me tending to run like a bull at a gate with regard to things  I am focused on. It’s good to be motivated but it’s also good to appreciate the value of establishing a daily ritual that involves switching off.

    When I was working full-time I walked every day, usually in the evenings. listening to music and going hell-for-leather because my work schedule was so intense I could only spare an hour to walk. Can you imagine life being that rigid that you predetermine how long you can exercise for? My previous walks were part of a routine, not really part of a ritual.

    When I used to walk in the evenings I barely noticed my surroundings. The walk was just something else to tick off my To Do list. Now I have a ritual, a walk that lasts at least two hours where I look around me, take in the view, so to speak. I am very lucky in that I live close to Sydney Harbour. I walk there frequently. It is a beautiful walk.

    Standing near the sea wall I feel the wind on my face. The smell of salt catches in the air. The water is a garden of nodding blue lilies, darker at the tips of the waves the way the petals of the lilies are. The bridge is the focal point as always with its four granite pylons and  an arch that sweeps the sky. The bridge is a prime example of appearances being deceptive however, because it’s not the pylons that support the bridge, it’s the arch that provides the structural support. The pylons are there to provide a sense of grandeur and permanence.

    Whenever I see the bridge I think of the strength of arches and the way they convert downward forces into compression along their curve, pushing weight outward rather than letting it bend or snap the structure. The very first arch dates back to the 4th millennium B.C., probably built by the Romans. It is mind-boggling that such a sophisticated understanding of engineering and physics was in evidence at that time. Human innovation really is incredible when you think about it.

    I am always happy when I encounter a Sydney ferry on one of my walks.

    The ferries have been running since 1789 in many of the Sydney waterways, including the Parramatta River. They are a great way to get from one side of the Harbour to the other. I have noticed that most of the passengers on the ferries are smiling and have a spring in their step when they disembark, unlike their downcast bus or train counterparts. I think it’s due to being on the water – the fresh air, the sights and sounds, the way the sunlight touches the waves. I feel that sense of being uplifted too when I see a ferry. It is something from another era that in many ways is quintessentially Sydney, and seeing one makes me value the past and feel grateful for the more modern iterations of it.

    Part of my ritual involves a few minutes of contemplation. I sit on the pier and watch the seagulls fight over fish. There is something soothing about sitting there, hearing the waves lap. I watch the colour of the water change as it gathers around the legs of the pier, turning moody green, seeking shelter from the sun.

    The time on the pier can be only a moment but it is enough to reinstate my purpose, to ground me and to remind me that although I am often isolated I am still a part of things. I once saw a tiny lizard on the pier. I wondered how he got there but realised that if you were a lizard and wanted to reach the perfect place to bask, you would find a way. A man starts up his boat. It immediately froths up the water like an espresso machine. I watch as his boat pulls away, leaving a cappuccino foam in its wake. The moving clouds make the sunlight flicker like tendrils of hair in your eyes, the tide shifts, elongated murmurs, and I head for home.